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Review

Praise for the Doon Series “… this retelling of Brigadoon is a dessert bar of YA romance awesomeness.”- USA Today (USA Today)Praise for the Doon Series “… those looking for a bit of escapism will find this book to be an enjoyable read.” - School Library Journal (School Library Journal)Praise for the Doon Series “… musical-theater fans will rejoice to see two heroines so well versed in their world, who drop references to many well-loved Broadway productions as they stumble their way through a medieval village, out of the mists and out of time.” – Booklist (Booklist)

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About the Author

Carey Corp lives in the metropolitan Midwest with her loveable yet out-of-control family. Carey wrote her first book at the age of seven, and currently begins each morning consuming copious amounts of coffee while weaving stories that capture her exhaustive imagination. She harbors a voracious passion (in no consistent order) for mohawks, Italy, musical theater, chocolate, and Jane Austen. Carey’s debut novel for teens, The Halo Chronicles: The Guardian, earned her national recognition as 2010 Golden Heart finalist for best young adult fiction and was recently featured at the 2012 RT Booklovers Convention in Chicago in YA Alley.

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Product details

Series: A Doon Novel (Book 3)

Paperback: 352 pages

Publisher: Blink; Reprint edition (July 19, 2016)

Language: English

ISBN-10: 0310742412

ISBN-13: 978-0310742418

Product Dimensions:

5.3 x 0.9 x 8 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

103 customer reviews

Amazon Best Sellers Rank:

#371,865 in Books (See Top 100 in Books)

GAHHHHHH THAT ENDING!! SERIOUSLY CRUSHING MY HEART...I absolutely love this series so much. I keep on dreaming and wishing this series would never end because I want to live in Doon forever, but I also want to get to the end to see my beloved characters get their well deserved happy endings.Just like Doon and Destined for Doon, the world building is so great and well written that I feel like I'm one of the Doonians. From the breathtaking scenery, the gorgeous gowns, the castles, and the food... Doon is without a doubt one of my favorite fictional places to visit.I love the character and relationship development in this series. There's a sense of growth, maturity and understanding. From Doon to Shades of Doon.. through the ups and downs, each of the characters have grown into their own and have become stronger.I don't think I've mentioned it before but one of the things I love about this series is Veronica and Mackenna's friendship. Seriously can you say friendship goals...Even with their own handsome princes and personal problems Vee and Kenna never forget to emphasize how important they are to each other. They may bicker, disagree, and fight, but at the end of the day, Vee and Kenna have each other's back and would do anything to protect each other.All the other characters also have an amazing bond and friendship with each other. Jamie and Duncan would also do anything to protect each other. They may not show their brotherly affection all the time but it's there. Fergus and Fiona are so adorable in their own ways. Analisa is strong and opinionated, but very devoted to Doon and her friends. Oh Eoran... the ever so loyal guard who would do anything for Vee shows a sensitive fatherly side of him. Seriously the whole gang is pretty much #squadgoals! (Maybe they have room for one more... Ahhh if only)The plot is fast paced and kept me turning the pages way past my bedtime. I enjoyed the few chapters in the modern world. It was fun and seeing Jamie's first time in the modern world was such a nice treat. Seriously can he get anymore adorable and hot?!?!? I love that there was more romance, but it totally didn't take over the story. Princes coming to the rescue, declarations of love and swoon worthy make-out sessions just added to the awesomeness. I did predict something about the necklace that turned out to be true, but everything else surprised me. Those last few chapters seriously kept me on the edge and put me on so much anguish... I wanted to stop reading afraid of what would happen next, but I couldna because I wanted to know. I wanted to throw the book and rip out the pages because my heart was breaking but I had to keep reading... when I got to the last page... I could finally breathe.. a little. But now I'm sooo ready. Addie, you evil evil witch, my squad is coming for you! Good always win and Love Trumps hate. (yes I just did that...)I can't wait to read Forever Doon and I have it so I don't have to wait cause waiting would drive me crazy...Shades of Doon is full of adventure, magic, humor, romance and suspense. A story about friendship, love, loss, faith and courage. Such an awesome and fun read that I really cannot say anything bad about this book or this series!!!

The Doon series is endearing itself to me more and more. Shades of Doon is a great read, full of drama and uncertainty and opportunities for the main characters to grow. I love how the two heroines are obviously maturing as they see the bigger picture: what's really important and what it might cost to choose the right path.The faith element, while still somewhat subtle in parts, is becoming stronger as the series continues. This particular story inspires courageous living, tackles the weighty topics of sacrifice and humility, and provides plenty of adventure and danger (particularly with the cliffhanger ending).As for the relationships and romance...I found myself intrigued by the dilemmas facing the couples, and I'm enjoying their journeys. Their interactions are full of passionate care and hope. I'm eager to see where the next challenges take them!You'll definitely want to read the first two books in the series before diving into this one. And once you're finished, you'll be beyond ready for the final book in the series, Forever Doon. I know I am!

Review for Shades of Doon by Carie Corp and Lorie Langdon The third installment in the Doon series was one of my most anticipated reads of 2015. I loved it, but in some ways I was disappointed. I don’t think it was as good as the first two books. As a matter of fact, I think everything started going downhill after Doon.Don’t get me wrong, the books aren’t bad. In fact, they are still very good. But little things here and there just start to bug me until it all adds up to a less-than-enjoyable reading experience. So I’ll start with what I didn’t like (don’t worry- this is spoiler free, besides what you can already know from reading the book’s synopsis). First is the amount of time spent in the modern world. The situations and plot started reminding me of a YA contemporary. And if this were a YA contemporary, it would be a good one, but the whole reason I fell in love with Doon in the first place was the rich fantasy world it contained. I just feel like this book didn’t deliver with more of that. I feel like the series is declining because it’s becoming too modernized, with slang and references everywhere. Kenna really started to annoy me with her “Holy Hammerstein!”s all the time, and the amount of times the word “bestie” is used makes me want to gag. It seems as though this book is taking the next step down into middle-grade reading. The last thing that bugged me was the antagonist. Those who have read the first two books know all about this villainous witch, who somehow keeps coming back over and over and over. I just feel like the antagonist is way too predictable and cliché. There’s nothing really scary about her, and no matter how hard the authors try to make plot twists in this book, it just doesn’t work. The antagonist is a very shallow, unlovable, or even likable character.Now that all that negative stuff is out of the way, let’s talk about the good things. Mostly, Jamie and Duncan. These two are some of my favorite male characters, and I loved them in this book. They were both sweet and smart and overall perfect Prince Charmings. I also really loved Vee and her character development. We get to see her transform into this majestic, powerful queen, and it’s wonderful. Not only is she a strong and confident character, but she realizes that she has weaknesses and that she can’t do everything by herself. Vee learns to accept that there is no queen if there is no kingdom and is the perfect blend between independent and dependent on other people. I got little shivers during some of her particularly motivating scenes.Overall, I think this book was good, but not as magical as the first or even second book. The plot felt a bit rushed at times and slow during others, and was quite predictable. The real excitement didn’t happen until the end of the book, which of course ended on a huge cliffhanger. I would still recommend it to lovers of the series because it feels great to be back in Vee and Kenna’s world again. The familiarity of the characters and Doon itself is very cozy and welcoming. It was a quick read that took me through a rollercoaster of emotions, and I enjoyed it.

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PDF Download The Birth of Kitaro, by Zack Davisson

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The Birth of Kitaro, by Zack Davisson

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From School Library Journal

Gr 7 Up—Originally published in magazines between 1966 and 1968, these humorous and spooky entries introduce readers to one of the most famous characters in Japan. The book focuses on the character of Kitaro but includes lots of different yokai (monsters and other mysterious beings), which make these stories exciting and surreal. In Kitaro's origin story, readers learn that he is the last member of the Ghost Tribe, he was born from his mother's grave, his late father's eyeball follows and protects him, and he can use his own hair as a weapon. The other selections present different human and yokai characters and expand Kitaro's story as he helps to fight the evil creatures with powers of his own. The illustrations range from cute and cartoony to finely detailed, and they add to the action and energy. Readers will see why Kitaro has been a popular character for decades in Japan and will want to read more volumes to discover the rest of his adventures. The book concludes with a history of Kitaro, an overview of yokai, and several puzzles featuring the characters. VERDICT For fans of manga, monsters, and extremely weird stories.—Andrea Lipinski, New York Public Library

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Review

"There are incredibly detailed establishing images, quite beautiful, long shots with very little negative space […] these contrast with the more event-driven panels, which tend to be much simpler and are much closer to the characters. This is a book that will appeal to children and adults alike, and I’m already looking forward to the next volume."―The Quietus"There’s no doubt that Birth of Kitaro is a great entry point into Kitaro’s yokai filled world, and it’s worth picking up."―The OASG"Originally published in magazines between 1966 and 1968, these humorous and spooky entries introduce readers to one of the most famous characters in Japan."―Andrea Lipinski, School Library Journal"Its deep background in Japanese mythology and folklore can make it slightly less accessible to western audiences, until you start to read it and get sucked in by Mizuki’s ability to spin a yarn."―Paste"[The] Birth of Kitaro is a great read for any young readers or fans of Shigeru Mizuki or yokai."―Manga Xanadu“Readers will see why Kitaro has been a popular character for decades in Japan and will want to read more volumes to discover the rest of his adventures.”―Library Journal"... a fantastically eerie read ... for long time readers, [Shigeru Mizuki's] early [work] is a great historical marker of his growing talent, allowing to see where this master artist got his start."―Fangoria on The Birth of Kitaro"The aesthetics on display in The Birth Of Kitaro are diverse, and Mizuki’s ability to affect three or four different complex styles in the same story is mesmerizing. His stories are quaint and fun―certainly enjoyable to read―but the way he draws establishes him as a titan, and his reputation as a major talent is confirmed again and again."―AV Club"If you haven't experienced Kitaro before, this is a perfect place to start."―The Anime News Network

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Product details

Age Range: 12 - 15 years

Grade Level: 7 - 10

Series: Kitaro

Paperback: 200 pages

Publisher: Drawn and Quarterly (May 31, 2016)

Language: English

ISBN-10: 1770462287

ISBN-13: 978-1770462281

Product Dimensions:

5 x 0.7 x 7.6 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#614,995 in Books (See Top 100 in Books)

Till quite recently, Shigeru Mizuki was the most famous manga author that English speakers didn't know about even if they were really into manga. Little or nothing had been translated into English, and if his name sounds familiar it's probably because his recent death was more covered in the English press than his work ever was. Finally, though, we're getting some of his work in translation thanks to Drawn and Quarterly and translator Zack Davisson.You should buy this if you're interested in Japanese folklore and pop culture (as I understand it, Mizuki is largely responsible for the modern interest in Japanese yokai, which is very much part of current manga and anime, and basically everyone in Japan is familiar with Kitaro so he's a fundamental part of that culture). But you should also buy it if you just like fun, fantastic, silly stories set in a Japanese context.Mizuki was a writer of great range, and most of the translations so far have been of his nonfiction historical manga about World War Two. This is not like that. Share it with your kids. Then you will want to go back and buy two previous volumes, a big fat Kitaro collection (none of the stories overlap with this book) and NonNonBa, a story of Mizuki's childhood and the woman who taught him about the folklore. Then preorder the forthcoming volumes in this series so the publisher knows it's worth it to keep them coming!

This is a nice edition of some of Shigeru Mizuki's Kitaro stroies. It's much shorter than the previous D&Q Kitaro book but the production value is very high (which is usually true for all of Drawn and Quarterly's releases) and the stories are a lot of fun. There are a TON of untranslated Kitaro stories so I'm looking forward to the other books in this series.

My nephews new the japanese original and found it too old fashioned - they are into more modern comics, but it made a nice gift for another kid.

It’s a gift to my husband and he loves it. He said it’s funny.

I'm easy to please

Fun book by the Japanese master of monster stories! Kids of all ages, who don't mind being grossed out will love this volume!

One of the greatest classical manga ever made! All of the characters are likable and the stories in this compilation are such timeless classics that are worth re-reading!

Great Book. Thank you.

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PDF Ebook Mr. Johnson's Little Black Book (Shadowrun)

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Mr. Johnson's Little Black Book (Shadowrun)

PDF Ebook Mr. Johnson's Little Black Book (Shadowrun)

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Product details

Series: Shadowrun (Fanpro)

Paperback: 124 pages

Publisher: FanPro (August 1, 2004)

Language: English

ISBN-10: 1932564136

ISBN-13: 978-1932564136

Product Dimensions:

11 x 8.4 x 0.3 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#920,876 in Books (See Top 100 in Books)

This is a rather nice collection of game tips, contacts and adventure ideas. Most of the contacts have appeared in SR4.If you want to roll up a block of buildings on the fly, this has tables for you.The adventures ideas could certainly be adapted for SR4.Pretty neat collection.

Definately a GM resource. Lots of information and ideas on how to set up runs, manage contacts, plot adventures, etc. Pretty much zero fluff or setting material (outside the example bits of fiction). If you're an experienced GM, you probably won't need most of what's available, but might be worth a look before you buy.

I got it as a package deal, but once I opened it I didn't think it was really worth my trouble. Get it if you like long list of contact and extra characters in your game. or if your running low on run ideas it has a few suggestions.

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Download PDF Jesus, Interrupted: Revealing the Hidden Contradictions in the Bible

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Audible Audiobook

Listening Length: 12 hours and 5 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: HarperAudio

Audible.com Release Date: March 3, 2009

Whispersync for Voice: Ready

Language: English, English

ASIN: B001UL7NJ4

Amazon Best Sellers Rank:

If you're reading this, you're probably familiar with Bart Ehrman and his work. I have most of his books, and yes, this one does contain some material he's been through before, but overall, it's probably his best work yet. This is a very down-to-earth and readable book, not "high scholar" and excessively wordy. And, as others have said, Ehrman's wit comes through better in this book than his others.This is a very interesting and engaging book, and I'd strongly recommend it for everyone seeking to learn more about the Bible. It is NOT an offensive book to the Christian faith, and it is clear throughout that Ehrman's intent is not to lead Christians away from their faith. He simply points out problems with the Bible that all should know about and many choose to ignore. An excellent book all the way around.

In this followup to Dr. Bart Ehrman’s excellent book, “Misquoting Jesus,” the renowned New Testament scholar takes us further down the rabbit hole of the eclectic history of the New Testament texts in “Jesus, Interrupted.” Ehrman begins by addressing the issues with biblical knowledge and how the bible is taught, along with how the bible is properly studied using the historical-critical method. The shocking ignorance about the bible and how it came to be cannot necessarily be put squarely on the shoulders of believers. Ehrman shows how nearly all mainstream divinity schools and seminaries actually teach the origins of the bible with accuracy and using the historical-critical method, but the ministers and theologians coming out of these schools never teach what they learn to their students and/or congregations. Thus, ignorance about the bible in the layperson makes way for unquestioning faith in the bible. As Ehrman continues he moves through the first 3 chapters exposing the incredible number of contradictions and discrepancies (both insignificant and very significant) within the bible (which apologists have tried for centuries to explain away), he addresses with many examples, not just the textual problems, but the glaring differences in the actual theology of the diverse and often splintered early Christian movement. As he gets to chapter 4, Ehrman digs deeper into who actually wrote the biblical texts, how we know that, and what their purpose was based in part on their differing theology and socio-political perspectives.The book takes a slight dip in chapter 5, when Ehrman introduces the “other” sources for the alleged events of Jesus’s life, namely by using the Q hypothesis. While the hypothesis of the Q document is still probably the current scholarly consensus, the fact of the matter is that Q does not exist. In fact, more recent scholarship has essentially refuted the hypothetical Q source (see Mark Goodacre’s “The Case Against Q” for an in depth refutation of the Q hypothesis). Many still cling to the hypothetical Q source due to the fact that there are simply no contemporary sources outside of the epistles and the unreliable gospels (demonstrated in the first 4 chapters) that tell us anything about Jesus at all, so inventing a source was the supposed answer. Making matters worse, Ehrman relies on other hypothetical sources, namely M and L for alleged sources used for Matthew and Luke. It’s important to note that when the reader sees these hypothetical sources used as support, the reality is that these sources are completely made up … imaginary. They do not exist. Most of the arguments for these hypothetical sources are rooted in confirmation bias seeking to extrapolate from the gospel texts, anything that might “look” sourced to support the conclusion already determined (that the source existed). In other words, supporters of Q, M, L and the like, have started with a conclusion (that Jesus existed and historical information about him is verifiable) and then have poured over the texts to create and craft hypothetical support for their unsubstantiated conclusion. That’s poor methodology. In reality, recent scholarship reveals that the gospel texts contain mostly mythologized stories, and Matthew and Luke both borrowed from Mark, while Luke (written later than Matthew) borrowed from Matthew as well and changed what he saw fit to change. There’s no need to invent imaginary sources beyond possible oral tradition (which itself, is an unlikely source given that well educated men crafted the gospels in polished Greek, far separated from Aramiac oral lore), especially when a less ad hoc assumption explains the data. So the reader should be aware that when Ehrman says “multiple independent sources,” what that honestly and truly means is, multiple imaginary sources. Having said that, one can’t really fault Ehrman for using these hypothetical sources, given that the current consensus still leans that way. It’s simply a matter of the consensus not yet catching up to the more recent, better scholarship concluding otherwise, albeit the consensus is slowly moving away from them.Ehrman then moves back into the meat of this book as he shows in chapters 6 and 7, exactly how we ended up with the books making up the New Testament canon, who wrote them, who approved them and just how divided the early Christian church was as scripture texts were being vociferously debated. He gives many examples of the so-called heretical books that once were a part of scripture and then removed, and vice versa. He shows how the various Christian factions fighting one another over doctrine and scripture led to vast corruption and numerous forgeries – even some forgeries that made it into our current canon. Ehrman discusses the battle for theological dominance and how the ultimate victor became the orthodox view that sought to denounce all other views as heresies (even the original Christian theology) and extinguish any dissident literature that did not hold the orthodox view – in short, history, even church history, is written by the victor. As Ehrman states, the victorious Christian sect “acquired more converts than any of the others, eventually stamped out all of its competition, declared itself orthodox, argued that its views really were those of Jesus and the apostles, claimed that it had always been the majority view, and then – as a final coup de grace – rewrote the history of the conflict.” (p. 214)Ehrman continues through chapter 7 to discuss the evidence of just who invented Christianity, and how such fundamentals of Christianity, such as a suffering messiah, were never a part of the Jewish (Old Testament) scriptures or doctrinal traditions, but were adopted later. He points out that the supposed prophecies of Jesus were not that at all, but were retroactively reinterpreted as the people created stories about Jesus – typical legendary development using irrelevant scriptures from the Old Testament to craft their messiah narrative. As chapter 7 progresses, Ehrman discusses how Christianity developed into a distinctly anti-Jewish religion (literally being the originator of antisemitism), and along the way adopted and created other views formerly foreign to Jesus and his followers, such as Jesus’ divinity (whether he was god) and the confusion over when he ‘became’ the son of god, the battles over the trinity idea, and the evolution of heaven and hell with the resulting transformation of the failed apocalyptic theology. As Ehrman concludes, “In short, with the passing of time, the apocalyptic notion of the resurrection of the body becomes transformed into the doctrine of the immortality of the soul. What emerges is the belief in heaven and hell, a belief not found in the teachings of Jesus or Paul, but one invented in later times by Christians who realized that the kingdom of God never would come to this earth.” (p. 266)Ehrman brings the book to its conclusion in chapter 8, moving through a very brief summary of the preceding content, and then addressing whether such content does or should have any impact on faith. While he approaches this with an appreciated gentleness, there’s a slightly disjointed conclusion that upon learning of the deeply flawed, human forged theology and pseudo-history of the bible, that somehow that doesn’t have to have a negative impact on faith in the Christian doctrines. However, one finds that to be an odd conclusion when considering why one would have faith. Shouldn’t that faith have some sort of trustworthy grounding? Well, when one finds out the reality behind the origin and creation of the New Testament, that removes it as a trustworthy source of grounding for any faith in believing it’s true. If one’s epistemology is not based on sound, credible sources, one should be incredibly hesitant to place faith in anything as being true from such a source, hence, upon learning the checkered past of the bible and the specious origins of Christianity, there should no longer be any grounding for faith in its doctrines. Yet, Ehrman treads so softly on this issue of faith still being possible in spite of the damning information that the historical-critical study of the New Testament brings, that he risks coming across as an apologist not just for the Christian faith, but as though he meant to soften the blow of the preceding chapters in some conciliatory nod to faith. And maybe that’s what he wanted to do. No harm done, but it wasn’t the strongest way to conclude the book. Instead, I’d like to end this review with a quote from chapter 7 that I think best sums up what is communicated in the book. Ehrman states:“Whether one stresses the continuities or the discontinuities in the development of early Christianity, it is clear that the beliefs and perspectives that emerged among Jesus’ later followers were different from the religion of Jesus himself. Paul was not the only one responsible for this set of theological innovations, this invention of what we think of as Christianity. He may not even bear the greatest responsibility among those who transformed the religion of Jesus into the religion about Jesus. There were numerous Christians involved in these transformations, the vast majority of them lost in the mists of antiquity, unnamed Christians, thinkers, and preachers who reinterpreted the traditions of Jesus for their own time, whose reinterpretations were guided and molded by historical and cultural forces that we, living later, can sometimes only surmise and ponder.Christianity as we have come to know it did not, in any event, spring into being overnight. It emerged over a long period of time, through a period of struggles, debates, and conflicts over competing views, doctrines, perspectives, canons, and rules. The ultimate emergence of the Christian religion represents a human invention – in terms of its historical and significance, arguably the greatest invention in the history of Western civilization.” (pp. 267-268)

Love this book. He separates history from legend or tradition in a respectful, gentle, and open manner. There is no condescending demeanor in this book, just the facts, presented in a humble gentle fashion. I am thankful for this book ( one of many I've read), because it's so easy to follow, it checks out in agreement against the other well respected historians research of church history & Bible history that I have thoroughly researched. The facts are there....and it's not easy to come to grips with as the" very truth" that we are told is held in the Holy Bible pages is exposed by authentic evidence available to us in this day and time. If you want historical truth of how we got the Bible and can handle the facts about the Christian faith to be shook to the foundations, this is a great book to enlighten you on the subject of Jesus and the church. If you want to remain comfortable in your Christian faith.....keep going to church and reading the Bible....otherwise this book will very likely destroy your faith and cause heart -wrenching religious strain that you've not had experienced before living in a predominately Christian culture in America, IMO. It's literally opening Pandora's box and many times I had deep remorse about learning the truth as it had profound implications on my social and family life. It took a while to work through the grief what I lost in truth, but now I am thankful and feel absolutely free to live my life based on my inner compass verses what an ancient grouping of letters tell me God says. Freedom isn't always pretty....but I sure love it.

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Hardcover: 416 pages

Publisher: WIT Press / Computational Mechanics; illustrated edition edition (November 10, 2006)

Language: English

ISBN-10: 1845640012

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“A delight . . . [Raffel’s translation] provides more opportunities to savor the counterpoint of Chaucer’s earthy humor against passages of piercingly beautiful lyric poetry.”—Kirkus Reviews“Masterly . . . This new translation beckons us to make our own pilgrimage back to the very wellsprings of literature in our language.” —Billy Collins“The Canterbury Tales has remained popular for seven centuries. It is the most approachable masterpiece of the medieval world, and Mr. Raffel’s translation makes the stories even more inviting.”—Wall Street Journal

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About the Author

Geoffrey Chaucer was born in London, the son of a wine-merchant, in about 1342, and as he spent his life in royal government service his career happens to be unusually well documented. By 1357 Chaucer was a page to the wife of Prince Lionel, second son of Edward III, and it was while in the prince's service that Chaucer was ransomed when captured during the English campaign in France in 1359-60. Chaucer's wife Philippa, whom he married c. 1365, was the sister of Katherine Swynford, the mistress (c. 1370) and third wife (1396) of John of Gaunt, Duke of Lancaster, whose first wife Blanche (d. 1368) is commemorated in Chaucer's ealrist major poem, The Book of the Duchess.From 1374 Chaucer worked as controller of customs on wool in the port of London, but between 1366 and 1378 he made a number of trips abroad on official business, including two trips to Italy in 1372-3 and 1378. The influence of Chaucer's encounter with Italian literature is felt in the poems he wrote in the late 1370's and early 1380s – The House of Fame, The Parliament of Fowls and a version of The Knight's Tale – and finds its fullest expression in Troilus and Criseyde.In 1386 Chaucer was member of parliament for Kent, but in the same year he resigned his customs post, although in 1389 he was appointed Clerk of the King's Works (resigning in 1391). After finishing Troilus and his translation into English prose of Boethius' De consolatione philosophiae, Chaucer started his Legend of Good Women. In the 1390s he worked on his most ambitious project, The Canterbury Tales, which remained unfinished at his death. In 1399 Chaucer leased a house in the precincts of Westminster Abbey but died in 1400 and was buried in the Abbey.Jill Mann is a fellow of the British Academy, an Honorary Fellow of St. Anne’s College, Oxford, and a Life Fellow of Girton College, Cambridge.

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Product details

Paperback: 1328 pages

Publisher: Penguin Classics; Reprint edition (August 30, 2005)

Language: Middle English

ISBN-10: 014042234X

ISBN-13: 978-0140422344

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The OBG Classics edition published September 11, 2017, claims to be "the new translation." But IF it is somehow new -- and, by the way, no translator is identified -- what exactly has been translated? What is new about it? It is still written in the difficult-to-understand Middle English Chaucer used, and apart from spelling (or misspelling?) "his" as "hise" in line-1 [see NOTE at end] and throwing in some extra commas, this is pretty much the standard version. It is handsomely formatted and has an active TOC, but no introduction, no clarifications of archaic words, nothing but the seemingly original Middle English text. Calling itself "the new translation" strongly suggests this has been translated into easier-to-understand Modern English, but such is not the case here. Chaucer certainly rates 5-stars, but I have deducted one for the misrepresentation.FYI: An excellent Modern English version will be found in the Kindle Store for $.99 by A. S. Kline.NOTE: The first line normally reads: "Whan that Aprill with his shoures soote...." The words "shoures" and "soote" are each two syllables in Middle English pronunciation; thus the entire line rightly has the number of accented syllables Chaucer intended. If "his" (a one-syllable word) were improperly changed to "hise" (turning it into a two-syllable word, pronounced his-uh) -- as is done here -- that adds an unintended and, therefore, unacceptable extra syllable. I have to assume this is merely a typo; but how many other such errors are contained herein?

If you are going to read The Canterbury Tales, this is the way to go. The Middle-English may seem intimidating at first, but it is easier than one might think to sound out and understand. Of course, the annotation helps quite a bit too. These tales and their frame perfectly capture medieval life with it's lively characters and various settings. Ranging from poetic diversions, to dramatic, to adventures, all the the way to gruesome fables, and plenty of very funny (and memorable) bawdy humor. This earthy group of classic stories has something for everyone. The modern translation is also worth having as a companion, but this fine paperback is the one for authenticity.

Let's get this clear at the start: This is a review of Jill Mann's edition of the Canterbury Tales in its Kindle version. (It's a shame that Amazon can't distinguish between different editions of the classics when posting reviews! -- hint!) About the Tales themselves, I'll say only that they are both a classic and a blast, and if you can handle the Middle English, you have to read them in that language. Jill Mann's editorial work is smart and thorough, too. The print edition is a bargain at the price -- again, if you're OK reading Middle English. The Kindle edition, though was a little clumsy to use -- though, to be fair, I don't see how all the glosses and notes could have been presented better in a e-book. Wait, yes I can. The glosses on individual words and expressions are easy to find; the more extensive notes, which are very valuable, are not. It shouldn't have been hard to add a marginal symbol to reference a Note. Hence it's only four stars, not five. But it may well be the best e-book version on the market.

Here is a brief synopsis.At the Tabard Inn, a tavern in Southwark, near London, the narrator joins a company of twenty-nine pilgrims. The pilgrims, like the narrator, are traveling to the shrine of the martyr Saint Thomas Becket in Canterbury. The narrator gives a descriptive account of twenty-seven of these pilgrims, including a Knight, Squire, Yeoman, Prioress, Monk, Friar, Merchant, Clerk, Man of Law, Franklin, Haberdasher, Carpenter, Weaver, Dyer, Tapestry-Weaver, Cook, Shipman, Physician, Wife, Parson, Plowman, Miller, Manciple, Reeve, Summoner, Pardoner, and Host. (He does not describe the Second Nun or the Nun’s Priest, although both characters appear later in the book.) The Host, whose name, we find out in the Prologue to the Cook’s Tale, is Harry Bailey, suggests that the group ride together and entertain one another with stories. He decides that each pilgrim will tell two stories on the way to Canterbury and two on the way back. Whomever he judges to be the best storyteller will receive a meal at Bailey’s tavern, courtesy of the other pilgrims.I won't go into detail about all the tales that are told except to say that I found them witty, entertaining, and thoughtful.

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